Strong 2.1 desktop monitoring at the lowest recorded price

Is the PreSonus Eris 2.1 Bluetooth Speaker System worth buying? Yes — at £350.00, with a 4.6/5 rating from 25,972 reviews and the current price sitting at the all-time lowest, it is a compelling buy for desktop production, casual mixing, and hi-fi listening. The main appeal is simple: you get the Eris 5BT nearfield monitors plus the Eris Sub 8BT, so you’re not just buying louder speakers, you’re getting a full 2.1 system with Bluetooth 5.0, balanced ¼-inch TRS inputs, unbalanced RCA inputs, and enough onboard power to handle a home studio or a larger desk setup.

First impressions: what stands out immediately?

At £350.00, the value proposition is driven by the bundle rather than any single spec. The Eris 5BT pair are compact enough for a desk, while the Sub 8BT adds the low-end extension that most nearfield monitors at this price do not include. PreSonus quotes 100W of Class D power for the speakers and 100W of Class AB power for the subwoofer, which suggests a system designed for clear playback and usable headroom rather than just convenience. For musicians, producers, and content creators, that matters because a 2.1 setup can make arrangement work, rough mixes, and sound design more satisfying without needing to add a separate sub later.

What do you actually get for £350?

The most important feature here is the combination of the Eris 5BT studio monitor pair and the Eris Sub 8BT. That pairing gives you full-frequency coverage, with the monitors handling articulate highs and the sub supplying the low-end punch that small speakers often lack. PreSonus also highlights an ultra-wide sweet spot, which is useful on a desk where you may not always sit in exactly the same position while editing, recording, or gaming.

Connectivity is another genuine strength. Bluetooth 5.0 wireless connectivity adds flexibility for quick reference listening, streaming from a phone or laptop, or casual playback without cables. For more serious use, the ¼-inch TRS balanced inputs are the more important detail because they suit professional audio devices and interfaces, while the RCA inputs make it easy to hook up consumer gear. That makes the system more adaptable than many budget monitor pairs that only cater to one type of source.

How does the sound setup help music production?

The subwoofer is the standout feature for anyone working on music that depends on low-end accuracy. PreSonus describes the system as having expressive, articulate highs alongside powerful low-end punch, and that is exactly the kind of balance many desktop producers want when building beats, checking kick and bass relationships, or editing electronic music. The 100W Class D amplification in the monitors should help with loudness and clarity, while the 100W Class AB subwoofer is intended to add weight without making the whole system feel thin.

The practical advantage is that you can hear more of the spectrum in one setup. That is especially useful if you are producing on a desk where full-size studio monitors may be awkward, or if you want a single system that can handle music production, content creation, and hi-fi home audio. The tuning controls for low and high frequencies are also important because they let you tailor the response to your room and placement. In a small room, that flexibility can be the difference between bass that feels useful and bass that overwhelms the desk.

Is the build quality worth the price?

Based on the feature set, the build and design priorities are clearly focused on practicality rather than luxury. The speakers are described as small enough to fit on any desk, yet powerful enough to fill a room, which is the right brief for a compact monitoring system. The fact that PreSonus includes both balanced and unbalanced connections, plus Bluetooth 5.0, suggests a product aimed at real-world use across different setups rather than a niche studio-only audience.

The main warning is that this is still a desktop-oriented system, not a substitute for large main monitors or a dedicated hi-fi stack. If you want the last word in imaging, room-filling scale, or deeply analytical mixing, a 2.1 desktop package will not replace a more serious treated-room setup. Also, because the listing data does not provide detailed driver sizes or frequency-response figures, you should not assume this system will behave like a full-range reference monitor in every room.

Is it good value for money?

Yes, especially because the current price of £350.00 is very close to the average price of £350.22 and sits at the all-time lowest recorded price of £337.99. The highest recorded price is £358.50, so the current cost is not inflated relative to its recent history. That makes now a sensible time to buy if you already want a 2.1 desktop monitor system and do not want to wait for a meaningful drop.

Compared with the Yamaha HS5 at £532.24, this PreSonus bundle is substantially cheaper while also including a subwoofer. The Yamaha option has a slightly higher 4.7★ rating, but it is a different proposition: a more traditional monitor pair without the same 2.1 convenience at this price point. Against the Focusrite Scarlett 8i6 3rd Gen at £269.99 and the Scarlett 2i2 Studio 3rd Gen at £239.99, the PreSonus is not competing as an interface bundle; it is competing as a monitoring solution. If your priority is listening and mix translation on the desk, the Eris system offers more speaker hardware for the money.

How does it compare to the Yamaha HS5 and Focusrite bundles?

The Yamaha HS5 at £532.24 is the pricier monitor alternative, and its 4.7★ rating suggests strong buyer confidence. However, the PreSonus bundle gives you a 2.1 system for £182.24 less, which is a significant saving if you want immediate low-end extension without adding a separate sub later.

The Focusrite Scarlett 8i6 3rd Gen and Scarlett 2i2 Studio 3rd Gen are better fits if you need an audio interface, recording inputs, and a microphone/headphone bundle. Their prices of £269.99 and £239.99 undercut the PreSonus, but they are not monitor systems. If you already own an interface and want better desktop playback, the PreSonus makes more sense. If you need to record vocals or instruments, the Focusrite packages are the more relevant purchase.

What are the limits?

The biggest limitation is that the product is optimised for convenience and versatility, not for uncompromising studio neutrality. Bluetooth 5.0 is useful, but serious monitoring should still rely on wired inputs. The other limitation is room dependence: a subwoofer can improve low-end extension, but it can also expose acoustic problems in untreated spaces, so placement and tuning matter more than with a simple stereo pair.

Is the review score meaningful?

Yes. A 4.6/5 rating across 25,972 reviews is a strong signal that this system satisfies a very large number of buyers. That kind of volume usually means the score is not being carried by a tiny sample, and it suggests the product has broad appeal across music production, desktop use, and general listening.

Final buying advice

If you want a compact 2.1 system for music production, home listening, or desktop use, the PreSonus Eris 2.1 Bluetooth Speaker System is easy to justify at £350.00. If you need a recording interface, microphone bundle, or a more traditional monitor-only setup, look at the Focusrite or Yamaha alternatives instead.